Kurunthokai – 25
There was no one else but the crook himself;
if he refutes his words, what can I do?
A Kurugu*, with greenish legs like millet stalks,
too was there watching the water to hunt slippery eels,
when he made love to me.
*Kurugu – Yellow bittern, a reclusive egret kind of bird that resides in reed beds.
யாரும் இல்லை; தானே கள்வன்;
தான் அது பொய்ப்பின், யான் எவன் செய்கோ?
தினை தாள் அன்ன சிறு பசுங் கால
ஒழுகு நீர் ஆரல் பார்க்கும்
குருகும் உண்டு, தான் மணந்த ஞான்றே.
They have consummated their love. But he is delaying the commitment of marriage. She is afraid that he may go back on his word and confides her anxiety to her friend, as all of us do: There was no witness to the passion and the promises shared – unless you count the Kurugu who was hunting eels in the river nearby.
Sangam poetry takes its cues and metaphors and also implications from nature. Hence the mention of the Kurugu has different layers of meaning.
First, it is indicative of setting. The Kurugu is reclusive and stays among bushes or river brush. It signifies the place where the couple made love – an isolated riverbank.
Second, it underlines her helplessness, since the bird after all, cannot speak – and so cannot speak for her.
Third, the bird waiting to hunt eels is a metaphor, for him, the lover, waiting to hunt her, make her his ‘conquest’. In separation, she remembers how he charmed her and begins to doubt his intentions – hence calling him a crook.
But as we know, these feelings of anxiety and doubt are quickly followed by lovers’ hope, and assurances to the self.