Old Tamil Poetry

Translations of Tamil Poetic works that span 2000 years

Archive for the tag “Kambaramayanam”

Kambaramayanam – 3870

“Don’t his words show that there’s no skill in this world
that he hasn’t mastered, Nor Vedas he hasn’t grasped?
O’ my archer brother, Who’s this master of words?
Is he Brahma, the creator? Or the bull riding Lord*?”

*bull riding Lord – Lord Shiva

இல்லாத உலகத்து எங்கும், இங்கு இவன் இசைகள் கூரக்
கல்லாத கலையும், வேதக் கடலுமே” என்னும் காட்சி
சொல்லாலே தோன்றிற்று அன்றே? யார்கொல் இச் சொல்லின்செல்வன்? –
வில் ஆர்தோள் இளைய வீர! – விரிஞ்சனோ? விடைவலானோ?

This verse is Rama praising Hanuman at first sight. Rama and Lakshmana enter the Kishkinta forest in search of Sita. Sugreeva who is hiding from his brother in the forest, despatches Hanuman to find out who these two are. Hanuman is captivated by Rama at first sight. He introduces himself and asks Rama who they are.

Rama too is pleased with the way Hanuman spoke. He says to Lakshmana, his younger brother “O Lakshmana, carrying a bow in your shoulders! Did you hear his words? It sounds like there is no skill he has not mastered in this world, nor any Vedas he has not understood. He is such an erudite person. Who is he? Is he the four faced Brahma, the creator of all beings in this wold? Or is he Lord Siva who rides a bull?”

இல்லாத உலகத்து எங்கும் – There’s nothing in this world
இசைகள் கூர – புகழ் மிக்க – flawlessly / mastered
கல்லாத கலை – skill not learned
வேதக் கடல் –  Sea of Vedas (scriptures)
சொல்லின் செல்வன் – erudite / master of words
வில் ஆர் தோள் – carrying bow in shoulder
இளைய வீர – young warrior
விரிஞ்சன் – Brahma, the creator
விடை வலான் – Bull Master / Lord Shiva who rides a bull

Kambaramayanam – 1777

They fell down; wilted; writhed in agony;
Cried “It’s today we lost our eyes”;
Were immersed in a sea of misery;
“O’ my son! O’ my son” they sobbed;
“You broke our heart” they grieved;
“You’ve gone to live in the eternal world,
We can’t bear to live here by ourselves,
here we come, here we come” they cried.

“வீழ்ந்தார்; அயர்ந்தார்; புரண்டார்;
‘விழி போயிற்று இன்று ‘என்றார்;
ஆழ்ந்தார் துன்பக் கடலுள்;
‘ஐயா! ஐயா! ‘என்றார்;
‘போழ்ந்தாய் நெஞ்சை ‘என்றார்;
‘பொன் நாடு அதனில் போய் நீ
வாழ்ந்தே இருப்பத் தரியேம்;
வந்தேம்! வந்தேம் இனியே!‘‘

King Dasaratha killed a blind ascetic couple’s son by mistake while hunting. The boy had come to a jungle pond to take water for his thirsty parents. Dasaratha hears the noise and shoots an arrow thinking it’s a deer. Once he realises his mistake, he grieves and goes to the old couple and tells them of his mistake and apologises.

The blind couple collapse on hearing the death of their son, who was everything to them. They cry saying “Though we were blind, he never made us feel that. With his death today, we have really lost our eyes. O’ my son! O’ my son! In your death you have broken our heart. You have left us and gone to live in the eternal world (heaven). We won’t live alone here by ourselves. We will die and come along with you there” they grieved.

Death of a son is a pain that cannot be assuaged. Further to this they curse Dasaratha that he too will suffer the same fate. That curse is what causes the sequence of events leading to Rama’s exile and Dasaratha’s death.
போழ் – split / break
பொன் நாடு – golden country / heaven / eternal world
தரியேம் – can’t bear

Kambaramayanam – 2019

Her plait’s adorned with fragrant powder and pollen,
Her forehead’s curved like a slice of the moon;
He, whose lips lend colour to coral, walks with her –
like a dark cloud and a streak of lightning appearing alone,
like an adorned bull elephant and its cow walking alone.

மா கந்தமும், மகரந்தமும், அளகம் தரும் மதியின்
பாகம் தரும் நுதலாளொடு, பவளம் தரும் இதழான்,
மேகம் தனி வருகின்றது மின்னொடு என, மிளிர் பூண்
நாகம் தனி வருகின்றது பிடியோடு என, நடவா.

This verse is in கங்கைப் படலம் (Ganga chapter) when Rama and Sita enter the forest and reach the river Ganga. When Rama leaves Ayodhya, people follow him. So he sends back his chariot to Ayodhya and walks away in the night. People think he has gone back to Ayodhya and follow the chariot marks. Before they realize that they have been misled,  Rama and Sita enter the forest and walk south towards Ganga, along with Lakshmana.

Kamban describes them walking by themselves, free of the adoring populace. Sita’s hair is washed with aromatic powders and pollen from flowers and is fragrant. Rama’s lips are strikingly red, it is as if they had lent their colour to coral gemstone. As they walk together, it was like a dark cloud (Rama is dark hued in the epic) and silver lightning appearing together in the vast sky. It was like a bull elephant walking with its cow, undisturbed in the forest.

Elephant’s walk is a repeatedly used simile in Tamil literature for graceful walking. As always with Kamban’s Tamil verse, read it out loud to appreciate the cadence.

மா கந்தம் – great fragrance
மரகந்தம் – pollen of flower
அளகம் – hair / plait
மதியின் பாகம் – part of a moon
நுதல் – forehead
பவளம் – coral
இதழான் – he with lips
மின்னொடு – மின்னலோடு –
மிளிர் பூண் – shining adornments
நாகம் – male elephant (bull)
பிடி – female elephant (cow)

Kamba Ramayanam – 5178

Tormented by thick waisted Rakshasa women, she sat there*;
Like a fine herb growing by the side of a hard rock
never getting a drop of water, languishing in misery,
rest of her body too thinned down like her narrow waist.

* Asoka Vanam, where Sita was held captive by Ravana.

வல் மருங்குல் வாள் அரக்கியர்
         நெருக்க, அங்கு இருந்தாள் :
கல் மருங்கு எழுந்து, என்றும் ஓர்
         துளி வரக் காணா
நல் மருந்துபோல், நலன் அற
         உணங்கிய நங்கை,
மெல் மருங்குல்போல், வேறு உள
        அங்கமும் மெலிந்தாள்.

This verse is in the sequence where Hanuman first sees Sita in Asoka Vanam. He finds her in sorrow, surrounded by thick waisted harsh Rakshasa women, who were tormenting her to accept the proposal of Ravana. Her whole body had thinned down like her narrow waist. It was like a fine herb growing by the side of a hard rock not receiving even a drop of water and drooping down. She was languishing in misery as her captors had taken her away from Rama, who was her life.

Kamban contrasts the thick and narrow waists to differentiate harshness / daintiness of Rakshasa Women and Sita. This objectification doesn’t go well with modern sensibilities. All I can say is he was the product of his times.

வல் – thick
மருங்குல் – waist
வாள் – harsh
அரக்கியர் – Rakshasa Women
நெருக்க – tormented
கல் – பாறை – Rock
மருங்கு – side
எழுந்து – grew
நல் மருந்து – fine herb
நலன் உற – health spoiled / misery
உணங்குதல் – suffer / languish
மெல் – soft / thin
வேறு உள அங்கமும் – other parts of her body / rest of her body

Kambaramayanam – 595

Lethal spear, the God of death, and all such things
will be vanquished by her joyous eyes,
that are beyond words to describe.
Hills and walls and hard stones and grass,
all melt in her presence, with such poise
did the luscious lady stand.

கொல்லும் வேலும் கூற்றமும்
      என்னும் இவை எல்லாம்,
வெல்லும் வெல்லும் என்ன
      மதர்க்கும் விழி கொண்டாள்,
சொல்லும் தன்மைத்து அன்று அது;
     குன்றும் சுவரும் திண்
கல்லும் புல்லும் கண்டு உருகப்,
    பெண் கனி நின்றாள்.

Kamban describing Sita standing in the balcony, before Rama sets his eyes on her. Her charming eyes are so powerful that they vanquish lethal spears and even God of death. They are beyond words to describe. Her regal presence is such that even non living things such as hills, walls, hard stones and tender grass melt in her presence.

Kamban doesn’t say just Girl – பெண். He uses பெண் கனி – fruit like lady. The word கனி – fruit, brings to mind fresh, tender, juicy, sweet and so many other qualities. I’ve used ‘luscious lady’ as an equivalent.

கூற்றம் – Death / God of death
மதர்ப்பு  – joyous
தன்மைத்து – quality
திண் கல் – hard stone

Kambaramayanam – 70

கூற்றம் இல்லை, ஓர் குற்றம் இல்லமையால்;
சீற்றம் இல்லை, தம் சிந்தையின் செம்மையால்;
ஆற்றல் நல் அறம் அல்லது இல்லாமையால்,
ஏற்றம் அல்லது, இழித்தகவு இல்லையே.

Death is absent, as crime is absent;
anger is absent, due to virtuous thought;
they act righteously and not otherwise,
so they achieve eminence, not baseness.

Since there is no crime in Kosala, there is no unnatural death. Anger is absent since the citizens have only virtuous thoughts.  Due to fairness of their actions, the citizens of Kosala achieve superiority in their lives, they are never base.

கூற்றம் – death
சீற்றம் – anger
சிந்தை – thoughts
செம்மை – goodness
ஆற்றல் – do
நல் அறம் – righteous deed
இழித்தகவு – baseness

Kambaramayanam – 10171-10173

Whole world hails my chastity;
Even Brahma can’t derail my conviction;
Yet, if the omniscient Lord doesn’t believe me,
Is there any other God who can convince him otherwise?

Lotus seated Lord, One who herds the bull,
Lord of justice with a conch in his hand-
this trinity sees everything like gooseberry on a palm,
yet, are they capable of fathoming women’s mind?

“So, for whom else should I 
prove my blemish less chastity?
It’s better to give up my life; It’s your command my lord, 
I deserve it; that’s my fate too” said she.

பார்க்கு எலாம் பத்தினி; பதுமத்தானுக்கும் 
பேர்க்கல் ஆம் சிந்தையள் அல்லள், பேதையேன்; 
ஆர்க்கு எலாம் கண்ணவன், ”அன்று” என்றால், அது 
தீர்க்கல் ஆம் தகையது தெய்வம் தேறுமோ?

பங்கயத்து ஒருவனும், விடையின் பாகனும்,
சங்குகைத் தாங்கிய தரும மூர்த்தியும்
அங்கையின் நெல்லிபோல் அனைத்தும் நோக்கினும்,
மங்கையர் மனநிலை உணர வல்லரோ?

ஆதலின் புறத்து இனி யாருக்காக என்
கோது அறுதவத்தினைக் கூறிக் காட்டுகேன்?
சாதலின் சிறந்தது ஒன்று இல்லை; தக்கதே
வேத! நின்பணி; அதுவிதியும் ‘என்றனள்.

This set of three verses are Sita bemoaning her fate when Rama accuses her of not following the Dharma and giving up her life when kidnapped by Ravana. The war is over, Ravana has bee slain; Hanuman and Vibishana go to Ashoka Vanam to bring Sita to see Rama. She is overwhelmed by joy and comes to see Rama. At this point Rama accuses her and doubts her chastity. All her joy becomes a mirage and she is grief stricken.

She says, “The whole world hails my chastity. Even the God of Creation, Brahma (who is seated on a lotus) won’t be able to change my conviction to stick to the righteous path. But what’s the use? You, who can see everything in this world say ‘No’, is there any other God I can turn to to convince you otherwise?

The Lotus seated Lord (Brahma, the creator), Lord who herds the bull (Shiva, the destroyer), Lord of Justice (Vishnu) who carries a conch in his hand – these three are all seeing. They see everything crystal clear like a gooseberry held in a palm. Yet can they understand what is inside a women’s heart?

To whom else should I prove my chastity? What is the use? It is better for me to give up my life as per your command, my Lord; I am fated to do so, and I deserve it too”. After this she walks into the fire and the power of her chastity burns the Lord of Fire himself and he comes out and proclaims her as pure.

பதுமத்தான் – பத்மத்தில் (தாமரையில் ) அமர்ந்தவன் – Brahma
பங்கயம் – பங்கஜம் – Lotus விடை – Bull
அங்கையின் நெல்லி – gooseberry on a palm (crystal clear)
கோது – fault

Kambaramayanam – 9370

When day by day like a waxing moon you grew,
I undertook an austere vow 
to see Indra defeated by the bow you drew;
What vow did I undertake now 
to see your beheaded body, what did I do!
Will I, an abject soul, still desire this impermanent life?

கலையினால் திங்கள் என்ன   
    வளர்கின்ற காலத்தே உன்,
சிலையினால் அரியை வெல்லக்   
    காண்பதோர் தவம்முன் செய்தேன்;
தலை இலா ஆக்கை காண   
    எத் தவம் செய்தேன்! அந்தோ!
‘நிலை இலா வாழ்வை இன்னும்   
    நினைவெனோ, நினைவு இலாதேன்?

Indrajit (one who defeated Indra) has been defeated in the battle with Rama and beheaded. A grief stricken Ravana goes to the battlefield and brings his son’s headless body back. On seeing Indrajit’s body, his mother Mandodari laments and castigates herself in pity. This is one of the verses in that chapter.

“When you were growing up as an young man like a growing moon, I prayed to God to see you defeat Indra and undertook austere vows. What austere vow did I undertake to see your headless body, my son? Should I, a thoughtless woman and an abject soul, still desire to live this impermanent life. Won’t it be better if I die now”

The last line ‘நிலை இலா வாழ்வை இன்னும்  நினைவெனோ’  – ‘Will I still desire this impermanent life’ is a perfect example of alliteration and meaning coming together in Kamban’s poetry.

கலை – with skills
திங்கள் – moon
சிலை – bow
அரி – Indra
ஆக்கை – யாக்கை – body

Kambaramayanam – 1103

Is it anything new to discard 
golden jewels and dresses worn externally?
A bright foreheaded woman discarded
modesty residing in her heart too;-
Like an ascetic who undertakes
severe forms of renunciation,
to forego one’s self

is a characteristic of passion too.

பொன் அருங் கலனும், தூசும்,
     புறத்து உள துறத்தல் வம்போ?
நல் நுதல் ஒருத்தி. தன்பால்
    அகத்து உள நாணும். நீத்தாள்;-
உன்ன அருந் துறவு பூண்ட
    உணர்வுடை ஒருவனேபோல்.
தன்னையும் துறக்கும் தன்மை
     காமத்தே தங்கிற்று அன்றே.


This poem is in the Revelry chapter (உண்டாட்டுப் படலம்) recording  revelries of women accompanying Dasaratha to Mithila. Kamban says “To give up external adornments like jewels and dress is nothing new. Anybody can do it. But this woman gives up modesty that resides in her heart and hankers after her man. Like ascetics who give up their self and undertake severe forms of renunciation, love makes these women discard their self and forget their reserve.”

Kambaramayanam – 1053

Celestials from skies and nymphs from magical realms
cannot match the form of these mortal women;
when these women, whose eyes outdoes the doe’s,
partook toddy in their mouth,
it was like honey flowing into a honeyed flower.

 மீனுடைய விசும்பினார். விஞ்சை நாட்டவர்
ஊனுடை உடம்பினார் உருவம் ஒப்பு இலார்மா
மானுடை நோக்கினார் வாயின் மாந்தினார்-
தேனுடைய மலரிடைத் தேன் பெய்தென்னவே.

Kamban praises the women of Kosala accompanying Dasaratha as they go to Rama’s wedding. This chapter of revelry (உண்டாட்டுப் படலம்) has verses about women drinking toddy and losing their reserve.

In this verse, he says even the celestials or nymphs or no match to the shape and form of these mortal women. These doe eyed women’s mouths are already sweet like honey. Pouring toddy into their mouth was like honey flowing into an already honeyed flower.

மீன் – விண்மீன் – stars
விசும்பு – space
விஞ்சை – magical
ஊன் – flesh / mortal
மாந்துதல் – drink

Post Navigation